written about Off the coast (2019) :
”A natural poetry that speaks of desolate territories
that attracts with poetic magnetism.”
- Massimo Onza, Sodapop
”(…) a new and totally unique constellation.
Challenging and exciting from arrival until departure”
- Tor Hammerø, Nettavisen
”Pulsating universe of interaction between the subtleties of three musical outlets interacting with the environment - what else do you need?”
- Felt hat reviews
"The bounce of strings, the subjugated pitch, and the low-to-the-ground melody is parsed with a setting that is subliminal and fatigued. (...) Farther Away offers a single swerving sound wave, filling the room with a pulse of bass lows. The more it dips the more cerebral and foreign it becomes, like a jet engine charging for fuel. Though this is atypical for anything within the field of industrial noise, it has a common thread, but its slack timing breaks the tension. The tone, now twinkling at an even higher range on the final track, Winding, is an atonal warm-up. Its cosmogonic, split-stream timbre is at the top of human range, and as it pings away draws a curvilinear shape in mid air."
- TJ Norris, Toneshift
written about TH_X (2014) :
Strong music, well worth hearing, also causing me
to want to listen to far more of their work.
- Brian Olewnick, Just outside
Very intense and very beautiful and perhaps at thirty-six minutes,
not long enough for my taste.
- Frans de Waard, Vital weekly
Each piece has its own unique feel and atmosphere. The first two are minimalist, sparse textures. The third offers an intense, disturbing collage of nuanced noises. The fourth is an enigmatic cinematic soundscape and the last one forms an atmospheric sound poem clouded with gentle drone noises. Highly original alchemy of sounds.
- Eyal Hareuveni, All about jazz