PHYSICAL and DIGITAL records at Bandcamp :
(or send me an email to order directly)
Robalo music 2024 (cd/digital)
Audrey Chen - voice
Henrik Munkeby Nørstebø - amplified trombone, monotron, sound files
+ Phil Minton - voice
-Click to listen-
Psychic liberation 2026 (vinyl/digital)
- release May 8th 2026
SOLO - amplified trombone, monotron, feedback, sound files
Pre-order now :
https://psychicliberation.bandcamp.com/album/faint-light-blackens
Tripticks Tapes 2023 (tape/digital)
Audrey Chen - voice/analogue electronics
Henrik Munkeby Nørstebø - amplified trombone, analog electronics, feedback, sound files
-Click to listen-
Neither/Nord Records 2023 (cd/digital)
Audrey Chen - voice, electronics
Henrik Munkeby Nørstebø - trombone, electronics
Eivind Lønning - trumpet, electronics
Espen Reinertsen - tenor saxophone, electronics
-Click to listen-
Made now music 2022 (photo booklet/digital)
SOLO - amplified trombone
+ second piece including half clarinet, monotron, feedback, objects
-Click to listen-
Sofa music 2019 (vinyl/cd/digital)
Henrik Munkeby Nørstebø - trombone, half clarinet, breath piano
Daniel Lercher - laptop, field recordings, bass clarinet
Julie Rokseth - celtic lever harp, Pictish harp
-Click to listen to excerpt-
Corvo records 2017 (vinyl/digital)
Audrey Chen - voice
Henrik Munkeby Nørstebø - trombone
-Click to listen to excerpt-
"Audrey Chen and Henrik Munkeby Nørstebø’s album is quite something. Henrik Nørstebø’s meticulously realised trombone scapes combine elegantly with Audrey Chen’s
extraordinary array of virtuosic formant manipulations. Always inventive, often deeply emotive, this is a beautiful duo."
— Chris Abrahams (The Necks)
SOFA 2015 (cd/vinyl/digital)
Solo - trombone, electronics, half clarinet
-Click to listen to excerpt-
"On both pieces, Nørstebø keeps his compositional structures clear through a balanced use of filled and empty space. The silences he allows between passages of sound tend to act as boundaries separating sections into disjunctive events defined by dramatic changes in timbre as well as in organization and dynamics. And despite his deliberate distorting and dismantling of the trombone’s conventional voice, he allows a fundamental warmth to pervade both performances."
- Daniel Barbiero, Avant music news (US)
