Henrik Munkeby Nørstebø - acoustic and amplified trombone.
Born 1986 in Trondheim, Norway, Nørstebø chose the trombone and began playing in the local marching band at the age of seven. Twenty some years later he is still wrestling with the instrument, using its crudeness as a creative challenge and vehicle to unearth it's seemingly limitless possibilities. Utilizing a wide spectrum of playing techniques, from pure long tones to noise and the almost inaudible, he often works balancing the intuitive with the precisely constructed.
Since 2007, Henrik has worked extensively with solo material. His first record (“SOLO”, 2011) contained imaginary and widely different free form improvisations, while his second solo release (“Melting into foreground”, 2015) was more of a compositional work, focusing on the inner energy of sound and the tension between empty and filled spaces. In his current set up, Nørstebø is utilizing heavy close amplification alongside acoustic elements, producing a multi-faceted body of sound.
His working projects include: the amplified voice and trombone duo BEAM SPLITTER with Audrey Chen, a duo with Austrian sound artist Daniel Lercher, the longstanding all-in improvising unit Lana trio, a duo with experimental turntablist JD Zazie and the acoustic trio Whirl, with bassist Adrian Myhr and reedist Tobias Delius.
He has toured actively since 2010, and played at clubs and festivals all over Europe, as well as in Russia, Japan, Taiwan, New Zealand, Australia, USA, Brazil and Argentina. Festival performances include: Huddersfield contemporary music festival (UK), A l’arme! festival (Berlin/DE), Gogolfest (Kiev/UA), Fete quaqua (London/UK), Nattjazz (Bergen/NO), Jazzfest Berlin (DE), Kongsberg jazzfestival (NO), Festival Akouphene (Geneva/CH), Angelica festival (Bologna/IT), V:NM festival (Graz/AT), Joyful noise (Biel/CH), Gothenburg art sounds (SE), SoundOut (Canberra/AU) and Ultima contemporary music festival (Oslo,NO).
Nørstebø is also an experienced ensemble player, having performed live and on recordings stretching from the fairest pop to the strangest noise. He is a founding member of Oslo based new music ensemble "Aksiom", and has released three records with the 12-piece freejazzpop-band "Skadedyr". He has also been seen in groups like Johan Lindvall's "Torg" (Jazzland), Mette Henriette "Ø" (ECM), Trondheim jazz orchestra & Kristoffer Lo, Dan Peter Sundland elevenette and Nate Wooley's "Seven storey mountain V".
Educated in improvised music and jazz from the music academies in Gothenburg (BA) and Oslo (MA), he is based in Norway and Berlin.
Current projects (press links for more info) :
Beam splitter - with Audrey Chen (voice)
Duo - with Daniel Lercher (laptop)
Lana trio - with Kjetil Jerve (piano) and Andreas Wildhagen (drums)
Whirl - with Tobias Delius (saxophone/clarinet) and Adrian Myhr (double bass)
+ existing but currently less active:
As deafness increases - with Inga Aas (viola da gamba/double bass) and Rudolf Bjørnerem (electro-acoustic guitar)
Nørstebø/Strid/de Heney - with Raymond Strid (drums) and Nina de Heney (double bass)
Also a member of:
Skadedyr is something out of the ordinary. The group consists of 12 musicians in all, and an even larger number of instruments. With a brass section, guitars, keyboards, vocals, two drummers, strings and accordion, they are positively bursting with musical images and narratives. Their music is both accessible and uncompromising, and stylistically they could be described as an octopus, whose tentacles reach out to a multitude of musical genres.
Anja Lauvdal (piano, synth), Heida Karine Jóhannesdóttir Mobeck (tuba), Hans Hulbækmo (drums), Torstein Lavik Larsen (trumpet), Øystein Aarnes Vik (drums), Ida Løvli Hidle (accordion), Henrik Munkeby Nørstebø (trombone), Adrian Løseth Waade (violin), Fredrik Luhr Dietrichson (bass), Ina Sagstuen (vocal), Lars Ove Fossheim (guitar), Marius Klovning (lap steel gitar)
Aksiom is an ensemble for new music based in Oslo. Aksiom focuses on developing new pieces with composers (among others Johan Svensson, Øyvind Mæland, Martin Ødegaard and Martin Rane Bauck), and also on improvisation, giving concerts within both fields on a regular basis.
Lynetta Taylor Hansen (flute), Fredrik Brandstorp Olsen (saxophones), Henrik Munkeby Nørstebø (trombone), Anders Kregnes Hansen (percussion),
Jonas Cambien (piano), Ole Martin Huser-Olsen (guitar), Vilde Sandve Alnæs (violin), Ivan Valentin Hollup Roald (cello), Christian M. Svendsen (double bass), Kai Grinde Myrann (conductor)